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Sweden’s major purveyors of glucose-coated synthesizer strains insert slightly bitterness to their sweet symphonies, ripping equally the Verve and 808s-era Kanye. The convert on the 2010s represented a peak the two for EDM as being a professional phenomenon and for the greater aggro-leaning facet of Steve Aoki’s Dim Mak label. “Warp 1.9,”